terror, bloodshed, and cuckoo clocks

Part of a series of reimagined film noir posters focusing on an object central to the story rather than on any human characters. For The Third Man I used Vienna’s grand ferris wheel the Wiener Riesenrad, the location of a pivotal scene. The typeface was customized to aid the graphic message, look for the roman numeral III in the word third. To seperate the sub-genres I used a tiny dagger/hypodermic needle representing the bootleg medical supplies.